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Language : "Hindi"
Bit rate : 96 kbps
Volume : 250%
Format : Smartmovie
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Plot Outline: The Indian version of The Godfather, with the focus on SARKAR, an Indian politician.
Director: Ram Gopal Varma
The messiah's scion glares contemptuously at the drug dealer from Dubai. "I didn't have to be here to kill you personally. But I didn't want to miss out on the pleasure of watching you die." The line, so stringent and sarcastic, defines some of the most prominent and passionate moments in Ram Gopal Varma's latest and by far best work.
The messiah's scion glares contemptuously at the drug dealer from Dubai. "I didn't have to be here to kill you personally. But I didn't want to miss out on the pleasure of watching you die." The line, so stringent and sarcastic, defines some of the most prominent and passionate moments in Ram Gopal Varma's latest and by far best work.
In SARKAR nothing is as apparent as it seems. Take a look at the plot. A messianic saviour-of-the-masses hero, his two heir-apparents-the Bad View Sarkar Movie StillsSon and Good Son, the tussle of power between the two sons located in a world that Varma has over the years, patented and portrayed inside-out. Dark gleaming ominous corriors hiding aeons of anguished pain.... characters who look like they could do with a bath... and an oil massage to release some of the nervous tension that comes from a blurred perception of crime and morality... such are the preponderant 'given' in a Ram Gopal Varma. SARKAR too takes us through a world governed by the rules of survival of the fittest. You either pull the trigger or get killed... as simple as that. So what makes this film the most special achievement of Varma's prolific and pathbreaking career? It's the father-son combination of Amitabh and Abhishek Bachchan, furnishing Varma's ebony vision of world gone morally awry with the kind of blazing and bridled intensity that one last saw when Dilip Kumar and Amitabh Bachchan played father and son in Ramesh Sippy's Shakti. SARKAR is a far more complex jigsaw of patriarchal intensity, filial crises and familial obligations. Its ethical complexities go far beyond politics and cinema to embrace a kind of multi-dimensional secularism where religion is not about gods but definitions of goodness.
Ps: I shud have posted this movie already ! , i couldnt find it in the "search" ....so i posted it again.